Skip to main content

Cartoonist Carlos Latuff: “It is easier to break the Israeli bars than the Palestinian will”

Neda al-Watan, the PFLP’s Arabic-language newspaper published monthly in the West Bank and Gaza, conducted an interview with Brazilian cartoonist and artist Carlos Latuff, who is well known for his graphics and cartoons in support of the Palestinian struggle, for its September 2009 issue. Read the full interview in English below:

Lasarnas_Fria_by_Latuff2

Neda al-Watan Question: What inspired you to become a cartoonist? How did you become involved with the struggle to free Palestine and how did Palestine become the subject of so much of your work?

Carlos Latuff: Since my childhood my dream was to be an artist. I used to spend hours in front of the television watching Hanna-Barbera cartoons. After 1990, I started to produce cartoons for Leftist union papers but not for political reasons, just as a professional. Until my contact with the Zapatista Movement in 1997 through the Internet, I wasn’t engaged in any political cause. Then, after a trip to the West Bank, invited by Palestinian Center for Peace and Democracy in Ramallah in 1999, seeing Israeli checkpoints, Israeli soldiers all around and, specially, after meeting a man called Adris in Hebron, I decided to embrace the Palestinian struggle for self-determination.

Palestine_Indestructible_by_Latuff2

Question: What do you see as the role of the artist in the struggle for liberation and social justice? How do you view your own work in this context?

Latuff: Perhaps (I say perhaps, since I’m not sure how exactly my art can affect people) the cartoons I make can serve the social and political struggles decoding complex political issues and presenting them in a way more easy to understand for everyone, including the common populace. I hope my cartoons can serve the people as a loaded AK-47 serves a guerilla.

Iraq_Resistance_2_by_Latuff2

Question: Your work has been enthusiastically adopted by the Palestinian and Palestine solidarity movement, internationally. What is it about your work that you believe has hit a chord among Palestinians and their supporters?

Latuff: Perhaps it is that I am not myself a Palestinian, yet I have embraced the cause in a passionate way. I think people just forgot what internationalism is all about. Another aspect is that, since the pro-Israel lobby is always harassing anyone who dare to raise a voice against the massacre of the Palestinians, people tend to belive I’m courageous. But definitely it’s not a matter of being courageous.

Misuse_of_anti_Semitism_by_Latuff2

The point is, having such powerful and influential enemies, the Palestinians are in need of any kind of support, and if I have a talent and this talent can be useful for the Palestinian people, then I will put my art and skills at their service, because the Palestinian cause is also the human cause.

Question: Your work has often featured recurring characters or symbols – like Mother Palestine, a determined elderly Palestinian woman. What are some of the recurring characters or symbols you use in your work, and how do you view the importance of these characters or symbols in communicating your ideas?

Latuff: Humankind always worked with symbols, as Carl Gustav Jung stated in his book “Man and His Symbols”. Mother Palestine, as well the famous Handala, are archetypes, they are graphic representations of Palestinian people. Since I’m always trying to make complex concepts into simple ideas, I will use images, symbols, to communicate more easily with a wide audience.

Mother_Palestine_by_Latuff2

Caution_sign_by_Latuff2

Palestine_by_Latuff_by_Latuff2

Comments

EXCELLENT! More justice cries. I am loving your blog, David!

Popular posts from this blog

A Completely Made Up, Fantastical Biography of George David Darrow (1861-1925)

Born in the spring of 1861 in a modest East Anglian village on the wooded edges of Bury St. Edmunds, George David Darrow was the son of a gardener and a washerwoman. A solitary child, Darrow showed early signs of a vivid inner world, sketching woodland creatures and imagined spirits on sheets of whatever scrap paper he could find, much of which smelled of fish or meat that the paper had once wrapped. His youth was shaped by the rhythms of rural life and long hours exploring hedgerows, brooks, and ancient groves. Possessed of a quiet, observant nature and an innate gift for drawing, Darrow taught himself the principles of line and light by sketching the creatures and foliage around him. His Father, Henry Darrow, disapproved of his son’s obsession with woodlarking and hoped that his son would take up a respectable trade. As a young teenager, George was apprenticed to a local stone mason, but his tenure didn’t last the summer. George was found to be carving mysterious symbols into the lim...

Illustration Friday "Fat"

I did this one with colored pencil but wasn't real happy with it. I put a Photoshop filter on to liven it up some. I'll probably do it again so I can get it right.

Ballad of Kupkake

       As I look through my huge collection of photography I have stored on hard drives and back up media, I usually come upon images of a cat we named KupKake. When we adopted her, in 2005, she was so very tiny and the name seemed to fit her.      Her intense eyes still stare back at me from her photos. Her gaze still penetrates me deeply.      When she was with me, I felt like our minds were connected and she understood my thoughts. I was also very attuned to her facial expressions, her ear direction and her volatile mood swings. She could be mean. Very mean. She looked the perfect angel but that was very deceiving. She never liked the dog and always let her know with a charge across the room, front claws swinging. The poor dog never knew what was coming. Even I, the only human that seemed to like her most of the time, could receive a quick swat with her razor claws. I would look at my hand and it seemed like nothing had happened. Slow...